Regarded as an intellectual among artists, and an artist among intellectuals, Lewis Hyde is a scholar, essayist, translator, cultural critic and writer whose scholarly work focuses on the nature of imagination, creativity, and property. Hyde offers a stirring defense of our cultural commons, that vast store of art and ideas we have inherited from the past and continue to enrich in the present. Suspicious of the current idea that all creative work is “intellectual property,” Hyde turns to America’s Founding Fathers—men such as Adams, Madison, and Jefferson—in search of other ways to imagine the fruits of human wit and imagination. What he ends up describing is a rich tradition in which knowledge was assumed to be a commonwealth, not a private preserve. For the founders, democratic self-governance itself demanded open and easy access to ideas. So did the growth of creative communities such as that of eighteenth-century science. And so did the flourishing of public persons, the very actors whose “civic virtue” brought the nation into being. Bringing the past to bear on present matters, Hyde sheds fresh light on everything from the Human Genome Project to Bob Dylan’s musical roots. In so doing, he allows us to stand on the shoulders of America’s revolutionary giants and thus to see beyond today’s narrow debates over cultural ownership. What he reveals is nothing less than a vision of how to reclaim the commonwealth of art and ideas that we were meant to inherit. The title of his presentation is "Common as Air: Revolution, Art, and Ownership."
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- Title Convocation: Lewis Hyde
- Upload Date March 6, 2023 9:23pm
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- Description Regarded as an intellectual among artists, and an artist among intellectuals, Lewis Hyde is a scholar, essayist, translator, cultural critic and writer whose scholarly work focuses on the nature of imagination, creativity, and property. Hyde offers a stirring defense of our cultural commons, that vast store of art and ideas we have inherited from the past and continue to enrich in the present. Suspicious of the current idea that all creative work is “intellectual property,” Hyde turns to America’s Founding Fathers—men such as Adams, Madison, and Jefferson—in search of other ways to imagine the fruits of human wit and imagination. What he ends up describing is a rich tradition in which knowledge was assumed to be a commonwealth, not a private preserve. For the founders, democratic self-governance itself demanded open and easy access to ideas. So did the growth of creative communities such as that of eighteenth-century science. And so did the flourishing of public persons, the very actors whose “civic virtue” brought the nation into being. Bringing the past to bear on present matters, Hyde sheds fresh light on everything from the Human Genome Project to Bob Dylan’s musical roots. In so doing, he allows us to stand on the shoulders of America’s revolutionary giants and thus to see beyond today’s narrow debates over cultural ownership. What he reveals is nothing less than a vision of how to reclaim the commonwealth of art and ideas that we were meant to inherit. The title of his presentation is "Common as Air: Revolution, Art, and Ownership."
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